The School for Scandal, theatre review: Richard Sheridan's satire still presses buttons

Andrew Hilton’s production bears its topicality well in the age of social media

Alice Hancock
Sunday 19 April 2015 09:04 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In an age where reputations are won and lost at the click of an iPhone, Richard Sheridan’s The School for Scandal is a canny choice for a revival at the Tobacco Factory.

That said, had it not been for a newly added prologue and epilogue, in which Sheridan’s simpering poet Sir Benjamin Backbite (played with smug glee by Byron Mondahl) prances around the stage snapping selfies and pretending to defame audience members on Twitter, the point might have been lost. This is otherwise a production faithful to the 18th-century text.

After such an energetic start, Sheridan’s acidic satire on society gossip-mongering languished through the first half, despite a wonderfully gaspy performance from Fiona Sheehan as inveterate gossip Mrs Candour. But the second half was up to pantomime-worthy pace. Neat devices such as the audience standing in for ancestral portraits and a nice moment involving a stocking used as a neckerchief to cover up some hanky-panky earned well-deserved chortles.

As we look forward to an election fuelled by social media, Andrew Hilton’s production bears its topicality well.

To 9 May (0117 902 0344)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in