Peter and the Wolf, Hackney Empire, London

The return of a rare treat

Jenny Gilbert
Saturday 08 April 2006 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

If there's a touch of patronage about Lori Spee's Act One text it's not the fault of actor Peter Wickham, an urbane presence on stage throughout who nobly resists the urge to do Johnny Morris cat and duck voices. That's the job of the Philharmonia's instrumental soloists, on sparkling form under the baton of Mark Stephenson.

Composer Erik Van der Wurff's new section of score is usefully atmospheric, but pales next to Prokofiev's with its clear melodies and vivid colours. Act One is set in a schoolroom, where each of the pupils carries traits of the animal they will play in Act Two. Zoe is flighty and twittery while Missy is sleepy and slinky, and Lucas a hip-hopping bully. A boy called Jack, confusingly, turns into Peter. What's the problem with calling him Peter from the start?

It's no surprise that it's Prokofiev that inspires Elkins' best work: gymnastic ballet solos for the bird, seriously menacing kung-fu kicks for the wolf, and hilarious breakdance moves for the poor old duck, whose sticky end inside the wolf is suggested in a startling tumbling duet that appears to fuse two stomachs into one.

Hackney Empire, London E8 (020 8985 2424) to 16 April

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in