Invincible, St James Theatre, review: A fresh and punchy production

Alan Ackybourn-inspired play charts middle class refugees of the recession

Paul Taylor
Thursday 17 July 2014 08:25 EDT
Comments
Darren Strange (Oliver), Laura Howard (Emily), Dan Copeland (Alan) and Samantha Seager (Dawn) in Invincible at St James Theatre
Darren Strange (Oliver), Laura Howard (Emily), Dan Copeland (Alan) and Samantha Seager (Dawn) in Invincible at St James Theatre (James Albrecht)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Torben Betts's latest work begins as robust social comedy and then shades into something darker and more disturbing.

Written firmly in the Alan Ayckbourn tradition, it manages to have its fun with stereotypes while dismantling them and in the process becomes a keenly perceptive play-for-today.

Laid-off civil servant Oliver and his partner Emily, a Marxist/Buddhist painter (Darren Strange and Laura Howard) are middle-class refugees of the recession. Having up sticks and moved north, they invite their new neighbours – Daniel Copeland's beer-bellied postman Alan and Samantha Seager's orange dental receptionist Dawn – over for drinks.

Cue an occasion of excruciating awkwardness in which it becomes plain that Emily's relentlessly proselytising socialism does not preclude a patronising dislike for actual working people and that the ever-conciliatory soft-Liberal Oliver is a bit of shifty shit.

Then a remark about Tony Blair's war-mongering touches a raw nerve and we begin to discover that these resounding class caricatures have painful (perhaps over-complementary) back stories.

The cast in Ellie Jones's fresh, punchy production – which has transferred from Richmond's excellent Orange Tree Theatre, very regrettably just abandoned by the Arts Council – expertly tread the line between hilarity (there's very funny cross-purpose farce involving a murdered cat) and heartache.

More than ever, we see in the post-recession times depicted here, it's those with inherited wealth who will inherit the earth.

9 August; 0844 264 2140

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in