Edinburgh 2013: Hag - A dark fairy tale from The Wrong Crowd

 

Emily Jupp
Thursday 08 August 2013 08:28 EDT
Comments
Hag - A dark fairy tale from The Wrong Crowd
Hag - A dark fairy tale from The Wrong Crowd

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Slavic myth of forest-dwelling witch Baba Yaga is reimagined in this dark fairy tale from theatre company The Wrong Crowd. Like a Roald Dahl book, it relishes disgusting things but has a sound moral tale at its heart.

The eponymous Hag, played with equanimity by fresh-faced Laura Cairns, is a fusion of puppet and human, with a false, gnarly hand and giant skull-like mask with sparse, thorny hair that Cairns operates at a distance from her face. The effect is creepy, but not so terrifying it’ll give kids nightmares.

The story is deliciously dark, skipping over any possible opportunities for schmaltz (a dead mother, poverty and war are all minor plot points in comparison to Baba Yaga’s love of cannibalism). It offers humour, charm and a bit of lovely gore. An unsettling atmosphere lingers throughout, created by the puppetry.

The small cast of four seems much larger because piggy masks representing the evil step-sisters are manipulated by hand when they aren’t worn. A cute, yet sinister doll appears to skip about as the performers pass it round with nimble fingers and a collection of glowing skulls hang around the set create an imposing air.

Our heroine, Lisa (Sarah Hoare), deceptively sweet in knee-socks and riding-hood jacket, is no damsel in distress; plucky and determined, she seeks out the hag-witch and slowly earns her begrudging respect. Not a bad role model for children.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in