A-Team: The Musical, Gilded Balloon, Edinburgh

Alice Jones
Monday 24 August 2009 07:21 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It is a truth universally acknowledged that a production company in search of an audience at the Fringe need only find a pop culture phenomenon, add the words "the musical" and the queues will begin to snake around the block.

So it has happened with this lo-fi homage to the Eighties television adventure serial but this production has little of the verve or originality of Jerry Springer: The Opera, arguably the show which started the trend when it was picked up for worldwide success at the Fringe in 2002.

The paper-thin plot centres on the magnificently poodle-permed and jumpsuited Tawnia Roberts, a small-town pet-shop owner facing ruination at the hands of the local mobster family, the Jacksons. In despair, she turns to the A-Team for help and lo, the much-loved gang appear – Hannibal the brains, Face the lothario, Murdock the genius and BA Baracus the heavy – to lend a hand.

The show is an affectionate pastiche of the television drama with plenty of mullets and Ray-Bans, deliberately lo-tech cardboard props, a cast who occasionally come out of character to tout for further acting work and a devastating final explosion in which, in the age-old style of the show, "no-one dies or gets hurt". The company fizzes with energy, even during some not very memorable musical numbers and it’s all entirely silly and not entirely unenjoyable. But enough of the novelty musicals now, please.

To 31 Aug (0131 622 6552)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in