Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Drama schools are waste of money, says National Youth Theatre director

Paul Roseby said actors would do better to market their skills to the industry

Daisy Wyatt
Friday 25 October 2013 07:06 EDT
Comments
British actress Rosamund Pike did not go to drama school
British actress Rosamund Pike did not go to drama school (Getty Images )

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The artistic director of the National Youth Theatre has claimed formal three-year drama school courses are a waste of time and money for the “majority of actors”.

Paul Roseby, who has been at the helm of the National Youth Theatre (NYT) since 2004, said most actors would benefit from focussing on how to sell themselves to the industry rather than concentrating on vocational training.

He told an industry conference: “Drama schools are incredibly expensive and the majority of actors don't need three years' training. They need various modular courses every so often to go to. But they don't need three years. You don't need to learn how to act, you need to learn how to sell yourself. You can either act or you can't.“

He also denied the small number of places available to aspiring actors at the NYT meant that the option was unrealistic. “The learning point is rejection. You have to learn the art of rejection as well as acceptance,” he said.

The NYT, which runs masterclasses for 14-25-year-olds, has taught a number of actors including Daniel Day-Lewis, Dame Helen Mirren and Daniel Craig.

Matt Smith, who is soon to appear in the Almeida’s production of American Psycho, was signed to an agent after appearing in a NYT production. The Hour’s Romola Garai and Die Another Day star Rosamund Pike were also picked up by agents following productions with the NYT.

Edward Kemp, director of the Royal Academy for Dramatic Art (Rada), insisted that formal training was essential.

He told The Guardian: “If Paul Roseby wishes to defend the arts from being seen as 'soft skills', it is strange that he chooses to attack precisely the institutions which have spent many decades bringing rigour and expertise to the training of actors and theatre technicians.”

He added: “Student loans are available for all undergraduate courses, and drama schools are no more expensive than any other form of higher education.”

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in