My Edinburgh: Mathew Baynton - Why the Fringe is a good place to wear a gimp mask

 

Mathew Baynton
Wednesday 21 August 2013 04:56 EDT
Comments
Mathew Baynton
Mathew Baynton (Getty Images)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Yesterday, in Edinburgh, I was walking alongside a lady wearing high heels and a gimp mask. Her, not me. No-one walking past batted an eyelid. She had no flyers in her hand or any evidence of being in a show. I think she’d worked out that Edinburgh in August is a great place to be if you want to dress up oddly and not get funny looks.

The Fringe is where it started for me in 2005 with my short-lived comedy group Piggy Nero. We specialised in pun-based titles that put people off coming: The Bubonic Play, Hello Dalai... that’s it, we stopped after two. We did it all ourselves, the stage management (dangerous), the flyering (soul-destroying), the press (again, soul-destroying) and ploughed all our own money into it. I really felt my dreams hung in the balance.

It just about worked and, at the time of writing, I do have a career. So it’s nice to be back, and in a play (Holes) by someone else (Tom Basden). He’s made a kind of poetry of pettiness and constructed something packed full of gags but with a terrible darkness that creeps up on you by the end. It’s very possibly my favourite thing I’ve ever done. Even better than ‘Barista’ in the Danny Dyer vehicle City Rats.

I’ve seen a lot of shows but I can’t possibly cram in everything that I’d like to and it's exhausting trying to. It’s nice to do non-festival things too, like going to a cinema, restaurant or art gallery. Or putting on the old mask and going for a potter.

Holes, Secret seaside location, meet at Assembly George Square, 23, 24, 25 August (0131 623 3030)

Mathew Baynton's Must-sees:

Liam Williams (The Tron, 10.20pm) bowled me over. Smart and silly in equal measure, he manages to be misanthropic but warm at the same time. And I loved Daniel Simonsen (Pleasance Dome, 8.20pm). His show was quite rough around the edges but he just has funny bones. I’d rather see a shambles from someone like him than a lot of the more slick acts around who are kind of indistinguishable from each other.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in