The Independent Recommends - The Five Best Shows

Tom Lubbock
Friday 11 June 1999 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Five Best Shows

Rembrandt by Himself (National Gallery, London)

The self-portraits. The first and most searching autobiography in paint. The great pictorial statements of honesty and mortality, of the human depths. Thirty paintings. To 5 Sept

Morandi and His Time (Estorick Collection, London)

Mr Twentieth-Century Still Life: 19 of his table-top pictures (right), with their close but tense families of bottles, jugs and pots - plus work by contemporaries. To 19 Sept

Shape of the Century (Salisbury Festival)

One hundred years of British sculpture - and they're all here: Epstein, Gill, Moore, Caro, Hepworth, Frink, Long, Kapoor, Gormley, Whiteread. To 19 Aug

Presence (Tate Gallery, Liverpool)

Figurative Art at the End of the Century: from a monumental Lucian Freud nude to Ron Mueck's giant, super-real model of a gawky girl in a swimsuit. To 5 Sept

John Coplans (Dean Gallery, Edinburgh)

Portrait of the artist as a fat old naked man? Coplans' photo-tableaux of close-ups of his body present flesh beyond classification, vulnerable and monumental. To 25 Jul

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in