Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Forty years after its premiere, Troilus and Cressida is back. The 1976 revival of the only full-length opera by William Walton (below) was a triumph for Janet Baker, for whom the score had been re-written. Opera North have kept Walton's revisions, but, bearing in mind that Cressida was created for Elizabeth Schwarzkopf, the role has been transposed back to the soprano range. Matthew Warchus's production opens at the Grand Theatre, Leeds, on Saturday and goes to Covent Garden at the end of the mon th.
There seems to be a mini-Strindberg festival this year. Some love his powerful women's roles, others consider him a hideous misogynist; audiences can make up their minds watching Katie Mitchell's production of Easter at the Barbican later this month, andfrom Thursday John Neville and Gemma Jones open in The Dance of Death at the Almeida.
Radio 3's "composer of the week" is Paul Hindemith, and the entire weekend at the Barbican is devoted to "Hindemith the Rebel". Ignore the doleful image on the posters and hurry down for a series of concerts from this eclectic composer. Where else will you find an opera-burlesque set in fairy-tale Burma, music for a mountaineering film and an opera about nuns' repressed sexuality?
Ang Lee's The Wedding Banquet was the most profitable film of 1993. Two of its stars return in Lee's latest comedy East Drink Man Woman, which opens in London on Friday, as does La Reine Margot, with Isabel Adjani (above).
The Barbican: 071 638 8891
The Almeida: 071-359 4404
The Grand, Leeds: 0532-465 906
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments