Target Practice

Neil Cooper
Monday 26 August 1996 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Anal Obsession might have been a better collective title for these two one-man plays by Richard Hope, for although they are wildly different in tone, they skilfully expose the hidden depths that fill up the gaps and make us tick. In "Dear Prudence", we see the archetypal Beatles geek, who "coulda been a contender" until, like Pete Best, he was dropped from the drumstool while his band went on to make a million. The piece comically confirms the adage that those who can do, those who can't teach - or, as is the case here, become tuppeny-ha'penny hacks.

"Traffic" is an altogether murkier affair, a frightening portrayal of what goes on inside the mind of an early-bird commuter who's effectively shut love out of his life. Preferring prostitutes and porn, things go horribly wrong when he falls for one of his whores and all his latent hatred comes out kicking, screaming and worse. There is no redemption on offer here, just hard-boiled backstreet machismo. You can almost smell the after-shave and king-size filter tips. It's the terror, though, that lingers.

Andrew Stanson performs both pieces with confidence and poise, and with Richard Hope already picked up for a full-length work at the West Yorkshire Playhouse, you'd better catch these formative works while you can.

n Cafe Royal. To 31 Aug

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in