Review: Rocker Corey Taylor mixes genres on 1st solo album

Slipknot and Stone Sour frontman Corey Taylor expands his rock roots with his first solo album

Via AP news wire
Thursday 01 October 2020 10:15 EDT
Music Review - Corey Taylor
Music Review - Corey Taylor

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Corey Taylor “CMFT” (Roadrunner Records)

Corey Taylor had songs bursting out of him and nowhere to perform them.

The singer with the roaring-yet-melodic voice churned out heavy metal and hard rock hits for more than 20 years with Slipknot and Stone Sour. The other tunes Taylor had spinning in his head were more eclectic, spanning multiple genres.

Armed with the confidence of singing for two highly-successful bands Taylor decided it was time to share the style-twisting music with his first solo album.

“CMFT" is hard rock at its core, sprinkled with elements of classic, glam and blues rock, heavy metal, rap, rockabilly and a tinge of grunge.

Joined by musicians who shared his musical vision, Taylor's first solo project is filled with catchy hooks, memorable riffs and powerful choruses, the genre seemingly changing with each song.

The opening track, “HWY 666,” sets the this-is-not-Slipknot tone with a fusion of outlaw country, hard rock and a touch of punk which Taylor calls a cross between Johnny Cash and Pantera.

The first single, the catchy “Black Eyes Blue,” is an ode to The Clash and the first of two songs about his wife, Alicia Dove. Taylor spent more than two years learning the piano for “Home,” a heartfelt song showing off his vocal range.

Taylor nods toward the Rick Rubin-produced rap-rock of the 1980s by collaborating with Tech N9ne and Kid Bookie on the big-chorused “CMFT Must Be Stopped.” “Samantha's Gone,” a sarcastic take on being the “old sober guy,” has a 1980s glam rock vibe, while “Meine Lux” is sort of a cross pollination between The Misfits and Van Halen.

The homages keep coming with “Halfway Down,” a rocker with a Bon Scott-era AC/DC lyrical vibe. “The Maria Fire” has a jazzy rock vibe to it and “European Tour Bus Bathroom Song,” about a sign every rock musician who's ever toured Europe knows, brings the album to a raucous, punk rock close.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in