Review: Loudon Wainwright as dance band crooner on new album
On the aptly titled “I’d Rather Lead a Band,” Loudon Wainwright III embraces a role even more retro than the one he has carved out as an old-fashioned troubadour
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Loudon Wainwright III with Vince Giordano and the Nighthawks, “I'd Rather Lead a Band” (Thirty Tigers)
On the aptly titled “I’d Rather Lead a Band,” Loudon Wainwright III embraces a role even more retro than the one he has carved out as an old-fashioned troubadour, putting his guitar aside to join the '20s — the 1920s.
Wainwright makes like a dance band crooner as he revives material by Irving Berlin, Fats Waller and Frank Loesser, among others. For any kids who might listen, this is their great-great-grandparents’ music, which explains the reference to a Gatling gun.
Wainwright is ably backed by Vince Giordano and the Nighthawks, and while the band is tight, old Loudo is loose. He hams it up with the same comic timing that has served his own songs so well for the past half century. That makes him the ideal interpreter of “I'm Going to Give It to Mary With Love,” a lascivious, hilarious obscurity that would make Cardi B blush.
Some of the other songs are more familiar, including “Ain't Misbehavin'” and “Heart and Soul,” and just about everything swings thanks to arrangements highlighted by muted horns, creamy winds and lots of hi-hat. Wainwright sings about fidelity, forgiveness and the consequences of a kiss, which shows the romance dance hasn’t changed much in the past century or so.