New Films

John Wrathall
Monday 08 June 1998 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Nowhere (18)

Director: Gregg Araki

Starring: James Duval, Rachel True, Nathan Bexton, Shannon Doherty

One-man film factory Gregg Araki returns to the nihilistic landscape of Totally F***ed Up and The Doom Generation with another hallucinatory journey through an LA underground inhabited by young ambisexual drifters, sado-masochists, druggies, airheads - and, this time around, a few aliens for good measure.

It's good to see the elegantly wasted James Duval, as alienated teen Dark Smith, returning to his low-budget roots with Araki after a starring role in Independence Day. Intoxicating stuff.

Red Corner (15)

Director: Jon Avnet

Starring: Richard Gere, Bai Ling, Bradley Whitford

Richard Gere usually exercises a bit of discrimination when choosing his projects, but his very public pro-Tibet stance must have blinded him to the failings of this clunking piece of anti-Chinese propaganda.

In Beijing to sell trashy American TV programmes to a Chinese network, Gere finds himself framed for murder and railroaded by the brutal legal system. But the insights Red Corner offers into the Chinese brand of totalitarianism are swamped by the cliched depiction of ruthless party cadres (they practically say "We have ways of making you talk") and repetitive courtroom scenes, which mostly revolve around the issue of whether Gere can hear the simultaneous translation of proceedings through his headset.

Dad Savage (18)

Director: Betsan Morris Evans

Starring: Patrick Stewart, Kevin McKidd, Helen McCrory, Joe McFadden, Marc Warren

Patrick Stewart sheds his Star Trek image to play Dad Savage, a tulip- growing, Country & Western-obsessed East Anglian crime boss who turns very nasty indeed when two of his employees try to run off with his life savings.

Strikingly shot in the bleak expanses of the Lincolnshire fens by first- time director Betsan Morris Evans, this is an original stab at re-inventing the British thriller. There are strong performances, but a Usual Suspects-inspired structure of flashbacks within flashbacks conspires to make a raw, brutal little story frustratingly hard to follow.

The Taste of Cherry (PG)

Director: Abbas Kiarostami

Starring: Homayon Ershadi, Adolhossein Bagheri, Afshin Bakhtiari

The joint winner of last year's Palme d'Or has taken a year to get a release over here, and it's not hard to see why. In precis - an Iranian man drives around the outskirts of Tehran looking for someone to help him commit suicide - it sounds like the average multiplex-goer's worst nightmare of an art movie.

But thanks to highly naturalistic performances and the purity of director Abbas Kiarostami's shooting style, it's a hypnotic and ultimately moving experience, so long as you can adjust to the pace.

The Wedding Singer (12)

See Recommendation, right

Hurricane Streets (15)

Director: Morgan J Freeman

Starring: Brendan Sexton III, Shawn Elliot

Brendan Sexton III, who made an impression as the high-school bully in Welcome to the Dollhouse, is touchingly awkward as Marcus, a 15-year- old on the mean streets of New York, whose criminal lifestyle is offset by an almost saintly care for the no-hopers in his gang.

But despite raw performances from the young unknowns, gritty detail and a sheaf of awards from the Sundance Film Festival - the film never steers sufficiently clear from the usual kids and crime cliches.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in