Network: Who makes the beat go on?

The real stars of the recent MTV awards were not the ones on stage, but those behind it. By Jennifer Rodger

Jennifer Rodger
Sunday 14 November 1999 20:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

THE MTV Awards were broadcast in a customary loud fashion last Thursday. But the glories of the stars had paled even as the opening credits ran on ITV, compared with the triumph of the Unity MediaNet, a not-yet- famous shared media system. Without this recently launched system from Avid (www.avid.com), the ITV broadcast of the awards would not have been ready within half an hour of the ceremony ending.

The Unity MediaNet enables the creative team to work interactively, exchanging work between editing effects, audio and online. Structured this way, a project stays versatile, work can be produced faster and changed up to transmission.

It was the most high-profile use of the Unity MediaNet since it's launch five months ago, and the team had taken just four days to adjust to the system. In the longer term, it may be second nature for the post-production industry. Nonlinear editing systems are common in production, especially with there now being affordable finishing systems. But while they can make work faster, they don't change the work process. Without the shared media system that Avid has designed, each finishing phase still has to be done separately.

With high-bandwidth shared storage and strong administrative control, the Unity MediaNet is a sophisticated connection of nonlinear tools.

Lawrence Fee, technical director of the Yard said: "We looked at a lot of places and many said we could only do it with Avid and Unity. The big thing with Unity is it has the control, it has mummy sitting back there saying who wants what, where, when and how. So you can digitise live. I am a linear boyo, but this couldn't have been done that way. "

It was a familiar tale of cocksure handling of technology. The first half-hour broadcast went with no big problems on the technical side and as the systems speeded up the work flow, the editors used the spare time on creativity.

As a result, instead of feeding the content from tape, they only had time to go live from the digital source - resulting in a comedy moment of checking it was in fact being broadcast on ITV as planned.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in