Robert Maycock on classical music

Robert Maycock
Thursday 10 August 1995 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

News of a debut in Peterborough this weekend by the Classic East orchestra will stir musical memories. In the early Eighties, eastern England was the region where orchestras feared to tread, while London teemed with them. The immortal phrase "possibly to Nottingham" was coined as part of the argument for relocating one of the capital's perceived surplus - which foundered on the predictable wish of the candidates to stay where they were. With Nottingham the home of two rival chamber orchestras already, the attractions of the metropolis grew ever firmer.

And where are we now? London's flagships sail on untouched, it seems. Yet the Royal Philharmonic has dared to set up a part-time residency in Nottingham, and both city and musicians are thriving on the link. Peterborough, on the other hand, has seen its own string orchestra come and go for lack of local support. Better news from Cambridge, where the Britten Sinfonia has put down roots.

As Classic East, a full-size professional symphony orchestra, brings in Evelyn Glennie (below left) for Sunday's launch at The Cresset with a programme of popular works, what are its chances? The key factors are artistic success and private sector support. Planners in the funding system are keen to "develop" the region's orchestral life but this usually means more efficient use of what already exists. A new group has to force itself into the ear as a vigorous, unstoppable venture that can't be ignored.

Classic East's manifesto says it will be entertaining and particularly welcoming to families with children. It plans to work with local orchestras and choirs, and offers pre-concert talks and post-concert socialising. So far there is no word of the education programmes and contemporary work that public funders will insist on. But if it picks up enough business support it can call its own tune. As Norman Beedie launches into Mozart's Figaro overture and Beethoven's Symphony No 5, there's everything to play for.

Classic East, The Cresset, Bretton Centre, Peterborough (01733-265 705) 13 Aug

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in