The Concretes, Scala, London

They call it the Stockholm smile

Luiza Sauma
Saturday 25 February 2006 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

There was a telling moment at the start of the Concretes' set when singer Victoria Bergsman looked out into her rapturous audience and, understandably, smiled with joy - but then she quickly caught herself and corrected it with the despondent expression she has for the rest of the night. It was an early indicator of the rather dated Nico-esque persona that she seems to have created for herself, which put a damper on an otherwise enjoyable evening.

Of course, Victoria's sad-sack Mazzy Star-via-Stockholm vocal is part the Concretes' charm, as it jars wonderfully with their fizzling Motown indie-pop - while she purrs winsomely, the other seven members (glam girls, nerdy boys) back her up with a host of flutes, saxophones, glockenspiels and Ronnettes-style vocals. Like fellow Swedes Abba, the Concretes have an unashamed love of pop songs with a heart of darkness, from the languorous, jealous swell of "New Friend" ("Didn't know you got yourself a new friend...") to the handclapping, Phil Spectorish new single "Chosen One", about being rubbish in love.

It is unsurprising, then, to see unashamed lovesick-merchant Romeo from the Magic Numbers making a cameo appearance during the encore for the duet "Your Call" with the Concretes' stunning blonde drummer Lisa Milberg. Extra members of the Numbers are drafted in for the rest of the set and the twee brigade (uniform: cardigans, fringes, existential despair) come very close to dancing, especially during the storming last number, "Warm Night".

As the lights dim low, that tight little smile creeps back onto Victoria's face.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in