Susanne Sundfør review, The Barbican, London: An artist who has truly mastered her craft
The onstage spectacle alone is haunting; a hooded Sundfør and her band sit behind a large-scale projection which flits between imagery of melting clocks and digitised black-and-white portraits
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.It’s been over a decade since Susanne Sundfør released her debut album. Since then, the multi-talented musician has built a strong catalogue and has a reputation as one of the most respected musicians in Norway.
But recently, she’s been on a quest: a journey of discovery to find out what truly matters. This voyage has taken her to some of the most gorgeous natural landscapes in the world, and their effects are written all over her latest release, Music for People in Trouble.
Built largely around organic soundscapes, the album has been transformed into an audio-visual experience, and is performed tonight for the first time ever outside of Norway.
The onstage spectacle alone is haunting; a hooded Sundfør and her band sit behind a large-scale projection which flits between imagery of melting clocks and digitised black-and-white portraits. The lights build and build as Sundfør’s voice increases in intensity, creating a dizzying visual effect which mimics the equally electrifying soundscapes.
Musically, Sundfør demonstrates incredible range, playing numerous instruments without missing a beat or note. Arguably the strongest instrument at her disposal is her voice; whether swathed in the instrumentation of harps and flutes, or guitars and drums, her vocals effortlessly dip and soar across numerous octaves.
The electronic soundscapes which dominated her international breakthrough, Ten Love Songs, are largely absent, but eerie synths creep in to set the scene for the show’s masterful climax which earns Sundfør a well-deserved standing ovation.
Considered, innovative and genuinely captivating, tonight we witnessed a musician who has truly mastered her craft.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments