Richard Hawley, Brighton Dome, gig review: providing a feeling of community to a nation needing it

The music is a low, echoing shiver, the words about desperate individuals piercingly clear, the light blue

Nick Hasted
Monday 26 October 2015 14:06 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

“That’s one of my favourite new songs,” Richard Hawley says of “I Still Want You”, with its life-long lovers who still “move our backs like a twist of smoke”. “It’s about you, you see,” he says, looking fondly at his fans at his tour’s official start. “I thought I was going to retire.” A heckle breaks the sentimental moment, but in his two years away Hawley has been through the mincer, a slipped disc immobilising him for months, after touring with his leg in plaster thanks to an earlier fall. Life’s troubles and wonders have always kept this kind Sheffield songwriter close. “I get the feeling we’re gonna ‘ave it tonight,” he now decides, honestly relieved.

Greater evils are considered in the title track of Standing at the Sky’s Edge (2012), written in dismay at the early scorched earth impact of Tory cuts. The music is a low, echoing shiver, the words about desperate individuals piercingly clear, the light blue. He’s more lead guitarist than balladeer tonight, favouring rasping psychedelic pop over the new Hollow Meadows’ sepulchral, warming emotion. Either way, he provides a feeling of decent community, in a nation needing it.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in