Psapp, Meltdown Festival, review: David Byrne's pick are full of charming quirks

Everyday objects and children’s toys add something different to their sound

Roisin O'Connor
Friday 21 August 2015 10:24 EDT
Comments
Galia Durant and Carim Clasmann, AKA Psapp
Galia Durant and Carim Clasmann, AKA Psapp (Press Image)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Meltdown curated by David Byrne was always going to be interesting. Supported by Stealing Sheep, the psychedelic pop band currently rounding off a successful festival circuit, Psapp’s eclectic bunch of characters are on fine form, channelling Byrne's energy for an impressive set.

Veering all the way back to their 2004 debut Tiger, My Friend for “Caruncula”, with its juddering beat, click-clacks and beats, and “Leaving In Coffins”, the band are an engaging presence. Galia Durant’s wonderful, throaty vocals and quirky humour are a delight to witness live: she sings “I Want That” with the instant gratification it needs, and themes of lust and longing run throughout.

A newcomer might think that the range of sounds the band create, along with their mannerisms onstage, would cause their music to seem incoherent. But percussion remains tight, violin notes are clean and pure, and plastic chickens are used at precisely the right moment.

With a slideshow comprised of single words and childhood photos stuttering along in the background, they use everyday objects and children’s toys to add something different to their sound. These artists hear music emerge from the strangest places and translate it, into something that can be savoured and digested by their audience.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in