Neil Young and Crazy Horse, BST Hyde Park, review: 'The hippie dream is still fiercely alive'

There’s internal rhyme and reason to the Canadian musician's set

Nick Hasted
Monday 14 July 2014 08:22 EDT
Comments
Neil Young performs on stage at Hyde Park
Neil Young performs on stage at Hyde Park (Rex Features)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Neil Young has suffered more than his share of death and disease in recent years, the mild stroke which forced Crazy Horse bassist Billy Talbot off this European tour just the latest blow to his inner circle.

The warm glow of battling optimism with which Young bathes Hyde Park only seems stronger for it.

“People say don’t rock the boat/ Let things go their own way,” sneers a man who would rather sink the boat than compromise his course, in “Days That Used To Be”.

Songs such as “Love to Burn” start like the tide coming in, on waves of electric guitar. A taste of the solo acoustic sets he’s playing in the US includes his only UK hit, “Heart of Gold”, which people wander past me absent-mindedly singing.

There’s internal rhyme and reason to the set, as “Psychedelic Pill”’s low bar-room thump surges into “Cinnamon Girl”’s Californian grunge. Both love dancing girls.

Social justice is repeatedly demanded, the hippie dream still fiercely alive in Young’s ruddy face.

But the slow, sparking blues of “Down By The River” is the majestic gift he leaves us with.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in