Mt Desolation, Scala, London

Nick Hasted
Tuesday 28 September 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The fantasy of starting again made Paul McCartney turn up on college campuses asking if his new band Wings could get a gig, and Stephen King publish books as Richard Bachman. Keane's songwriter Tim Rice-Oxley hasn't quite gone that far with his new country band Mt Desolation. Still, he is stretching himself beyond Keane's stadium confines.

Mt Desolation has become a collective home for busman's-holidaying members of Mumford & Sons, The Killers and others on the album out next month. But the real itch Rice-Oxley meant to scratch was to sing his own songs, without angel-voiced childhood friend Tom Chaplin to take the strain. The big disappointment is that Keane bassist Jesse Quin has become the main vocalist, with Rice-Oxley still stuck behind his keyboards and letting loose with his far richer tenor too little.

Still, you can tell by his grin that Rice-Oxley feels released. The home counties country of Mt Desolation's songs, too, gets close to the heart of his art. "Bridal Gown"'s regret at the passing of irrecoverable romantic possibilities is a small, aching classic. And through the "whiskey lake" and train tracks of these lyrics, "Coming Home" shows Rice-Oxley will always circle through the big country back to his Sussex front room. "Your urge to move will relent... we're all coming home in the end" is a deeply felt sentiment of conservative comfort rock songwriters don't often admit to. "Departure" suggests this impulse ends in death. The slow-motion, melancholy melody of "State of Our Affairs", meanwhile, shows Rice-Oxley's pop craft remains on songs that already nag familiarly.

Many bands would kill for his clean-cut handsomeness and strong, warm voice. But he found his real frontman when he met Chaplin, and looks happy to bounce at his keyboard, lost in music made with no expectations. Keane will be better when he's back.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in