Marc Almond, Brighton Dome, gig review: Eighties star still living life in his own way
"The Stars We Are" singer is on song
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference."I'm not an effing jukebox!” quips Marc Almond, one of the few voices of the '80s who has avoided the nostalgia circuit.
A decade ago, he survived a motorbike crash that put him in a coma and has seem hell-bent on making up for lost time ever since with covers albums and frequent touring.
He hits the stage running with the majestic ''Minotaur'', adding Greek mythology to the seedy Goth imagery he helped create 35 years ago, and ''Bad To Me'', his current single.
Both are drawn from The Velvet Trail, “the ultimate Marc Almond album” he made by swapping files with Chris Braide, a Los Angeles-based British songwriter and producer who has worked with Lana Del Rey and Beyoncé and convinced the former Soft Cell frontman to return to the studio.
Indeed, as Almond proves with the grandiose title track of the 1988 collection The Stars We Are, he could easily rest on the laurels of a rich back catalogue which also includes the apposite ''Darker Times''.
He chastises a member of the audience for taking a toilet break during ''Life In My Own Way'' – “you missed the whole crux of the show” – but delivers a crowd-pleasing, skittery synthpop finale of ''Bedsitter'' and ''Soul Inside'', and performs two more Soft Cell biggies during a generous encore starting with ''Gutter Hearts''.
It's impossible not to think about Oscar Wilde's famous quote “We Are All In The Gutter But Some Of Us Are Looking At The Stars.”
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments