Kristin Hersh, Cabaret Voltaire, Edinburgh

Monday 22 August 2011 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

"So many memories," reflects Kristin Hersh, leafing through a copy of Paradoxical Undressing, her 2010 memoir, which has formed the basis of this show of the same name both before and after its publication. It's proven a rich vein so far, with her return to Edinburgh yielding two Book Festival appearances – one spoken, one performing – and two more typical gigs such as this at the Edge music festival. These latter events are more Hersh's regular style, rock venue gigs which merge solo song and electric guitar with unconnected spoken word excerpts from the book.

Dressed all in white and sporting short, neat blonde hair, Hersh touched upon many of the book's lighter memories, including the time she got cripplingly drunk while trick or treating and her professor father's unconventional approach to education (she calls him "the Dude", a la The Big Lebowski, and says he "thinks all kids are Buddhist by nature").

Both as a storyteller and a singer, Hersh is blessed with a soothing, seductive purr of a voice, and this format clearly suits her. Although the music was drawn from across a lengthy career, it was those songs by the soon to reform Throwing Muses that earned the biggest cheers, including "Sunray Venus" and the ragged, noisy howl of "Pearl".

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in