IoS album review: New Order, Lost Sirens (Rhino)

Simon Price
Saturday 12 January 2013 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Consisting of eight tracks recorded in 2005 for Waiting for the Siren's Call, then kept in a cupboard while everyone decided what to do with them, Lost Sirens is the last New Order album to feature the bass and ego of Peter Hook.

It also features the unchallenging semi-electronic pop-rock you'd expect from late-period New Order, complete with lyrics of, to be kind, nursery rhyme simplicity. In most cases, the cupboard seems its best home.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in