In Dreams: David Lynch Revisited, concert review: "A fitting tribute"

 A mixed bag of performers celebrate the film director at London's Barbican

Chris Mugan
Tuesday 24 June 2014 11:55 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

David Lynch's genius for melding sound and vision has long been key to his TV and movie work, though this tribute is more about impeachable taste.

For "Sycamore Trees", a photo of mesmerising contralto Jimmy Scott, who passed away recently, is spotlit. No pressure, then, for Australian solo artist Sophia Brous whose more dramatic rendition is a revelation.

Music arranger David Coulter has corralled a mixed bag of performers to celebrate the auteur's songbook, relying on few visual tricks (including an almost subliminal projection of surreal TV drama Twin Peaks' Killer Bob), leaving us Angelo Badalamenti's gorgeous compositions and the director's favoured early sixties pop.

Lacking Lynch's regular ethereal songbird Julee Cruise, Villagers' Conor O'Brien delivers an inspired, fragile "Mysteries Of Love" while Savages singer Jehnny Beth provides jaw-dropping gothic intensity on "Into The Night".

Scouse folk-pop trio Stealing Sheep's giddy joy over-sugars "The Nightingale" , though they they provide fine backing as Tindersticks' Start Staples treads delicately on eggshells for "Falling".

Ever resourceful percussionist Seb Rochford is the pick of Coulter's scratch group, whose default louche jazz sometimes takes the uncanny edge off Lynch's intentions. Despite uneven quality, this is a fitting tribute to a film maker always taking risks.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in