Your support helps us to tell the story
This election is still a dead heat, according to most polls. In a fight with such wafer-thin margins, we need reporters on the ground talking to the people Trump and Harris are courting. Your support allows us to keep sending journalists to the story.
The Independent is trusted by 27 million Americans from across the entire political spectrum every month. Unlike many other quality news outlets, we choose not to lock you out of our reporting and analysis with paywalls. But quality journalism must still be paid for.
Help us keep bring these critical stories to light. Your support makes all the difference.
This latest posthumous repackage involves replacing or augmenting the original arrangements of 14 Elvis performances with new orchestrations, mostly to the songs’ detriment: both the snake-hipped sway of “It’s Now Or Never” and the yearning tone of “Can’t Help Falling in Love” are ill-served by the lush strings.
“In the Ghetto” is more sensitively treated while the intimate meniscus of “Love Me Tender”’ is not too damaged by the strings.
“An American Trilogy” is subject to wholesale changes, including the replacement of the flute solo by trumpet, and even, at one point, the removal of Elvis’s voice to tidy up a clash with the backing vocals.
Mercifully, there are few guest appearances – the addition of Duane Eddy’s signature twang to a couple of songs is aptly done, but do we really need Michael Bublé duetting on “Fever”? No, we do not.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments