Eels, Brixton Academy, London
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Under the white utility-style jumpsuit, the dark blue bandana, the shades and the mammoth beard is E, the enigmatic frontman (and first letter) of Californian indie-rockers Eels.
Jogging onto the stage to "When You Wish upon a Star", eccentricity becomes him. Far from the picture-perfect world of Disney theme tunes, though, E and his music are no strangers to heartache – and E has had more than his fair share of life's tragedies. His sister's suicide and mother's death fuelled 1998's Electro-Shock Blues, he lost friends in 9/11, and now he is on tour showcasing End Times, Eels' eighth album, which E has described as his "divorce album".
He warmly invites the crowd to "Take heart, my little friend/ And push back your seat/ Soon we'll be far away" as he opens with the twinkling story-book innocence of "Daisies of the Galaxy". It's the bright title track of Eels' 2000 album, which was famously condemned by an aide on Bush's presidential campaign for supposedly corrupting youth with expletives hidden in nursery-rhyme packaging. It serves as a taste of Eels' musical ethos. There can be sunny survival, though heartache and sadness are never far behind.
Poignancy is Eels' specialty, and its epitome comes on the beautifully delivered new track "In My Younger Days", where E's strong but soft, husky voice sings, "And I don't need any more misery/ To teach me what I should be/ I just need you back".
Not every number is an ode to doom and gloom. The band rip through a cover of Lovin' Spoonful's "Summer in the City". "Monster and Me", famously used in the soundtrack to Shrek, is given an upbeat treatment whilst "Mr E's Beautiful Blues" could be playing through a jukebox in an American 1950s diner.
In true Eels style, after the sun comes pain, as strobe lighting and harsh guitar notes on "Fresh Blood" are inflicted on the crowd. Fingers reach for ears, but before they can make it, the song ends and the fans erupt with appreciation.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments