Champs, The Lexington, gig review

Multi-layered sound sets small venue alight

Louisa Saunders
Tuesday 01 April 2014 10:16 EDT
Comments
Champs perform at The Lexington in London
Champs perform at The Lexington in London (Marga Moner)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A cocktail of fine musical influences seems to have brought Champs into being, from Stevie Nicks to REM. Nick Drake if he’d played with The Byrds? Fleet Foxes if they’d had their hearts properly broken? Anyway the result, with a dash of indy sensibilities, is fresh and stunningly atmospheric.

Champs, whose magnificent debut album, Down Like Gold, was released last month, are Isle of Wight brothers Michael and David Champion, plus a band that includes a member from fellow Island act The Bees.

A Champs gig is a static affair, with no more than a little swaying from band or crowd even during livelier tunes such as the poppy and paradoxically breezy “My Spirit is Broken” and the hypnotic “Savannah”.

It’s just that it’s all rather trippy, with shimmering vocal harmonies straight out of Sixties California, and keyboard that veers from ecclesiastical on “Too Bright to Shine” to creepy end-of-the-pier vibrato on the heartbreaking “White Satellite”.

Still, it’s a majestically big, multi-layered sound, and though the mic-hugging intimacy of the delivery could get a little lost in a larger space (Champs have just finished a tour supporting The Jezabels), it sets this small venue alight.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in