Atomic Bomb: Who Is William Onyeabor? - gig review

Barbican, London

Nick Hasted
Wednesday 02 April 2014 12:35 EDT
Comments
Recluse: William Onyeabor in his musical heyday
Recluse: William Onyeabor in his musical heyday

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

William Onyeabor is one man we know won’t attend the live debut of the extraordinary electronic music he single-handedly composed and recorded in Nigeria, 30 and more years ago.

He remains an impish enigma living in a woodland palace, feeding his legend with his absence. It’s left to guests including Damon Albarn and Kele Okereke to testify to the growing influence of music he abandoned for God long ago.

It takes 15 musicians to bring Onyeabor’s lone recordings to life, authoritatively led on keyboard by Ahmed Gallab, aka Sinkane, who also matches the composer’s high, pacific voice. So does Hot Chip’s Alexis Taylor, with his almost ethereal delivery of the kindly spiritual ethic, which helps make Onyeabor’s restless polyrhythmic funk so alien yet wonderful.

Everyone puts on a real show for their absent ringmaster. Ghostpoet, lanky and stetsoned, adds drawled rap, while Albarn is in pumped-up pop mode for “Fantastic Spirit”. Its thick yet limber layers suggest this music is some sort of culturally universal dance equation. Co-keyboardist Money Mark’s Cossack dancing as the fully stoked crowd whoop for more adds to Onyeabor’s long-distance triumph.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in