Album: The Real Tuesday Weld, The End Of The World (Six Degrees)

Andy Gill
Friday 20 November 2009 06:31 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The End of the World is also ostensibly a live album, recorded "on the eve of Valentine's Day at The End of the World club in London 2012".

Hence, perhaps, the odd, creepily synthetic nature of the applause, compared to Stephen Coates's song introductions. The band describe the performance as being a set of "pre-Apocalyptic junkyard blues" about dreams and dreaming, but while they share certain instrumental sonorities with Tom Waits – piano, reeds, horns, double bass, and sprays of vibes – there's no equivalent fervid squalor to their arrangements, which instead remain firmly within the confines of cabaret club and cafe, while Coates's croon has none of Waits's gravel-gargling quality. But there are clear comparisons in the wordless yodels and curlicues of koto-like twang that decorate "Over the Hillsides". The slow waltz "Epitaph for a Dream" is particularly impressive, with its trilling mandolin and its flute describing a vaguely Arabic-flavoured figure, while Coates affects that sinister megaphone-vocal effect used by the Tiger Lillies, as he celebrates how he "tamed you in tears, trained you in violence, cloaked you in blood, chained you with silence". Elsewhere, "Black Birdies Come" is a brief, floating instrumental of piano and violin.

Download this Epitaph for a Dream; Over the Hillsides; Black Birdies Come

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in