Album: Terry Allen <!-- none onestar twostar threestar fourstar fivestar -->

Pedal Steal, SUGAR HILL

Andy Gill
Thursday 23 February 2006 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The latest of the Texan multi-media polymath Terry Allen's works to be reissued by Sugar Hill is this piece from 1985, a theatre work originally commissioned by the Margaret Jenkins Dance Company, for which Allen wrote the script, played the music, and designed the back-projections and lighting plan. Set in an abandoned drive-in movie-theatre, it's based on the life of a real pedal-steel guitarist who wandered the American Southwest in the Sixties, a doomed fellow who "had pictures living behind his face. They ran out of his head like movies. He'd sneak into them and watch/ then go back outside and make up his life." It's presented here as a single 35-minute "song", complete with narration and sound effects, whose breadth gives some idea of Allen's protean talent. In the first 10 minutes, we hear male and female voice-overs, country music, mariachi song, Navajo chant, marimba, pedal steel played like Hendrix, thunder, traffic, footsteps, "Sentimental Journey", and an Allen song, "Fort Sumner", that shifts from bluesy sax and piano to folksy fiddle and mandolin. Think Sam Shepard with steel guitar, and you'll get the idea.

DOWNLOAD THIS: 'Pedal Steal'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in