Album: Take That, Progress (Polydor)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Can the Williams wink add anything to the Barlow balladry and the Owen honesty?
Can the other two get a look in? It's yes to the first question and not really to the second on the evidence of Take That's sixth album and first with Robbie since 1995. The real star here is producer Stuart (Madonna's Music)Price, who manages to turn the band into a different act for every song: Muse here, Bowie there, and everywhere an electro-pop sheen and a camp and knowing smile. (And not, note to Robbie, a smirk).
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments