Album: Prince <!-- none onestar twostar threestar fourstar fivestar -->

3121, UNIVERSAL

Andy Gill
Thursday 16 March 2006 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It seems like only yesterday - well, April 2004, to be exact - that Prince was unveiling his Sony debut Musicology. Now here he is, just a couple of years later, unveiling his Universal debut, and frankly, only the deeply committed fan would be able to tell the difference between the two. While 3121 is marginally more satisfying, it is in effect yet another retread of the standard Prince formula, mingling bare-boned, brittle electro-funk and sumptuous romantic balladry, with rather too many cheesy Eighties synth tones spoiling the party. Apart from the title track, where Prince plays mine host welcoming us to his gaff, a place where you wear Japanese robes and "drink champagne from a glass with a chocolate handle" - surely the most impractical vessel devised by man - the funk grooves serve mostly to remind one of their superior inspiration in the work of Sly Stone ("Black Sweat") and James Brown ("Get On the Boat"). Better by far are the slower numbers like "The Dance", "Te Amo Corazon" and in particular "Satisfied", a sensual Southern soul outing on which he tries to "discover the land beyond expertise and chastity". A filthy job, one presumes, but he's clearly the man for it.

DOWNLOAD THIS: 'Satisfied', '3121', 'The Dance', 'Te Amo Corazon'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in