Album: Phil Manzanera, Firebird VII (Expression)

Andy Gill
Thursday 06 November 2008 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

On Firebird VII, the Roxy Music guitarist returns with drummer Charles Hayward to the territory they staked out as jazz-rock outfit Quiet Sun in the mid-Seventies, here accompanied by bassist Yaron Stavi and pianist Leszek Mozdzer.

The Gibson Firebird VII is Manzanera's signature guitar, which he's used since For Your Pleasure, here offering the double benefits of a wiry high register and the kind of hefty, limitless sustain of which Nigel Tufnell might fondly fantasise. Besides Manzanera's title-track, each band member contributes a composition apiece, along with former Quiet Sun alumnus Bill MacCormick, with a seventh track, "Mexican Hat", improvised from 16 chords drawn from the hat in question, four per player. Like Manzanera's "Cartagena" and Hayward's "After Magritte", MacCormick's "Fortunately I Had One With Me" was written for Quiet Sun; here, it opens the album like The Stooges playing art-rock, before settling into a jazz-rock riff of dark urgency. Mozdzer is outstanding on "Cartagena", scattering little piano runs over Manzanera's rising guitar figures, followed by scurrying clusters of furtive, mouse-like synth as it gathers momentum. It's an impressive piece of work overall. So: is it time for the Stomu Yamash'ta revival yet?

Pick of the album:'Fortunately I Had One With Me', 'After Magritte', 'Cartagena', 'Firebird VII'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in