Album: Paul Heaton, The 8th (Proper)

 

Simon Price
Saturday 30 June 2012 15:01 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

No one saw this coming. A couple of years ago, when Paul Heaton was still doing pushbike-powered tours of rural pubs and turning out gentle country & western albums, nobody would have guessed that the former Housemartins and Beautiful South leader would soon be turning his songwriting skills to a rock-soul opera that sounds like Leonard Bernstein meets Public Enemy.

Commissioned by the Manchester International Festival, co-written with theatre director Che Walker and featuring an array of collaborators including Cherry Ghost, King Creosote and the Beautiful South’s Dave Rotheray, The 8th is a concept piece based on the seven deadly sins.

The real star is the narrator, American actor Reg E Cathey (best known from The Wire), whose apocalyptic declamations recall Iceberg Slim and Gil Scott-Heron. The melodies, however, are pure Heaton, as are the topics: the nexus between capitalism and slavery, murder, homophobic policing, racism and incarceration. The heavily Ben E King-influenced “Envy” could easily be a Beautiful South tune, with that band’s Jacqui Abbott on vocals, but Heaton himself doesn’t show up till the end, unveiling the eighth deadly sin: gossip.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in