Album: Muse, The Resistance, (Helium/WEA)

A politicised Muse take the path of vague resistance

Reviewed
Saturday 12 September 2009 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

This time it's political. Matt Bellamy has enough of the fence-sitting Bono about him to preclude naming names, but The Resistance is the album which sees Muse moving away from sci-fi fantasy and taking on the realities of the post-9/11 world order.

Opener "Uprising" contains lines like "It's time the fat cats had a heart attack/Their time is coming to an end/We need to unify and let the flag ascend", and was apparently inspired by popular disgust at the banking situation. The title track, which comes next, proclaims "Love is our resistance/They'll never break us down".

It's broad-brushstrokes stuff, pitting a heroic Us against an unnamed Them, but Bellamy's been inspired by some trusty sources, notably Orwell: see references to the Thought Police and track title "United States Of Eurasia". "Guiding Light", a critique of US foreign policy, uses the afterburner of a military jet as its opening percussion, "I Belong To You" looks forward to a time when "these pillars get pulled down", and "MK Ultra" deals with the notorious CIA mind-control experiment.

On this, the Teignmouth trio's fifth studio album, new musical influences are also brought into their orbit. They've apparently been listening to Timbaland, who has informed Dominic Howard's drum programming, and is most audible on "Undisclosed Desires", which could be a piece of prime Missy or Aaliyah. "Unnatural Selection", meanwhile, lifts the bassline from "Bug Powder Dust" by Bomb The Bass.

Elsewhere, more familiar influences emerge. "United States Of Eurasia" is pure Queen, from the fiddly fingertipped fanfares to the pedantic, Mercury-esque way Bellamy pronounces 'toooo' in the line "our ancient heroes they are turning to dust". That song also contains echoes of Ravel, with its chromatic scales, and classical music later takes over the whole album as the Chopin-like piano romanticism of "I Belong To You" opens the way for a trilogy of orchestral tracks, all titled "Exogenesis". This is the section which the band will doubtless be most proud of, but which fans will most often skip. As calls to revolution go, it's not exactly Lenin, but there is elegance in their vagueness.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in