Album: Matthew Halsall, Colour Yes (Gondwana)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Rain-streaked spiritual jazz from Manchester.
What's striking is the unusual combination of Halsall's lyrical, Chet Baker-ish trumpet (and his emblematically English, rather melancholy writing for quintet), with the cosmically inclined modal mood.
The soprano saxophone of Manchester's great Coltrane disciple, Nat Birchall, adds distinction while there's a nod to Alice Coltrane in the lovely harp playing of Rachael Gladwin on the best two tracks, "Together" and "I've Been Here Before".
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments