Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Martin Craft's 2004 EP I Can See It All Tonight announced an intriguing new talent on the fringes of what has become known as nu-folk, or in his case nu-singer-songwriter.
This full debut reveals a songwriter of dark moods and delicate guitar skills, with a taste for Latin rhythms and melodies that linger. The title track is typical, with Craft's voice employing the subdued, mysterious mood of José Gonzalez, and acoustic guitar, glockenspiel and flute blending into a Tropicalismo flavour. "Emily Snow" applies a Bacharach feel to its gentle samba shuffle, while elsewhere the crepuscular tone is broken only by the stinging raga-rock guitar break of "Lucille (Where Did The Love Go?)", or the languid, Neil Young-ian menace of "Sweets", one of two songs from the EP.
As perhaps befits an expat Aussie, there's a self-reliant attitude to Craft's songs that brooks little pity. "Sweets" depicts a young girl on the slide to victimhood; "Snowbird" offers scant solace for its protagonist, a trustafarian girl who collapses into "a fashion trash art school failure". But elsewhere, the footloose "I Got Nobody Waiting for Me" could be an anthem for the gap-year generation.
DOWNLOAD THIS: 'Silver & Fire', 'Dragonfly', 'I Got Nobody Waiting for Me', 'Sweets'
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments