Album: Interpol, Interpol (Matador)

Reviewed
Saturday 11 September 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

They ought to call it the Interpol Paradox: the harder the New Yorkers try to evoke gravitas, the better the end result functions as mood music; the more heartfelt Paul Banks' vocal, the more existential the lyric; the more portentous the bassline, the more you can listen to it as a flatteringly grandiose soundtrack to your own tribulations.

Of course, if he knew preople used his music this way, Banks would be mortified – enough, perhaps, to write another album of exquisitely anguished atmospherics.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in