Album: Idlewild, Post Electric Blues (Cooking Vinyl)

Andy Gill
Thursday 08 October 2009 10:57 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Roddy Woomble's various side-projects, along with the diminishing returns of the group's last few albums, led to rumours that Idlewild were on the verge of splitting up.

Those rumours are well rebuffed by the splendid Post Electric Blues, which isn't so much a return to form as an ascent to a higher plane than they've previously occupied. Compared to the punky parochialism of their youthful work, there's a more expansive, global attitude to these songs, mapped out in the opening "Younger Than America", where over the strident chiming of guitars and violin, Woomble frets over "inherit[ing] a vision and a language all worn out". Ironically, their response to this inheritance is the adoption of a more American sound, with the single "Readers & Writers" borne along on anthemic Springsteen-style bombast, its stadium-sized riff flecked with Spector-esque glockenspiel details. The dominant influence, though, is R.E.M., whose blend of intimacy, intelligence and imaginative vocal arrangements is echoed in "City Hall", "Bring You Back To Life" and "Dreams Of Nothing". Even better is the wistful piano ballad "Take Me Back To The Islands", whose most telling lyric – "There are times to act, and times to stand back, and times to show what's needed to rely on" – could be the album's guiding principle.

Download this Take Me Back To The Islands, Readers & Writers, Dreams Of Nothing, City Hall

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in