Album: Dan Hicks &amp; The Hot Licks <!-- none onestar twostar threestar fourstar fivestar -->

Selected Shorts, SURFDOG

Andy Gill
Thursday 04 August 2005 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

After an early stint as the drummer with the seminal West Coast hippie band The (original) Charlatans, Dan Hicks has ploughed the most idiosyncratic of musical furrows with his own quirky adaptations of Forties small-combo swing stylings. With the master violinist Sid Page at the heart of The Hot Licks, and the female backing singers The Lickettes expanded to a quartet, Selected Shorts is the strongest set Hicks has done since the great Seventies live album Where's the Money?, full of the frothy joie de vivre and facetious lyrical drollerie signalled by titles like "Cue the Violins" and "First I Lost My Marbles" (which features a cartoonish chipmunk choir). The opener "Mama's Boy Blues" is in typical Hicksville style, a slippery, shuffling slice of cowboy swing that comes across like some throwback blend of Hoagy Carmichael, The Andrews Sisters, and, thanks to the enlisting of the gypsy-guitar virtuoso Gonzalo Bergara alongside Page's rhapsodic jazz violin, the Hot Club of France Quintet. Lovely, peppy covers of "C'mon-a-My-House" and "I'll See You in My Dreams" (complete with berserk scat section) incorporate sly lyrical updatings through references to four-slice toasters and leather recliners. This is guaranteed to put a smile back on one's face.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in