Album: Chuck E Weiss <!-- none onestar twostar threestar fourstar fivestar -->

3rd &amp; Stout, COOKING VINYL

Andy Gill
Thursday 28 September 2006 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Like former local legends such as Charles Bukowski and Lord Buckley, Chuck E Weiss has become the living embodiment of the Los Angeles' bohemian underclass, whose memory he helps to sustain through songs about characters called Piccolo Pete, Pork Chop and Prince Minsky. Weiss deals in what he calls "discom-bop-ulated jive", a raucous mixture of R&B, jazz, lounge music, Cajun, and even, on "Novade Nada", a mutant blend of Latino surf-guitar music. He does nothing by halves, opting for extremes wherever possible - his vocal style, for instance, swings between baritone growl, as on "Prince Minsky's Lament", and falsetto whisper, like that jousting with Jeff Turmes' baritone sax on "Sho is Cold", a tribute to the cartoon voice artist Sterling Holloway. And he'll slip into bebop scat at the drop of a hat, as in "Half Off at the Rebop Shop". But whether he's loudly celebrating some underground icon, or crooning what seems like a sentimental ballad, there's usually a barb to Weiss's material - as when the wistful "Another Drunken Sailor Song" slips from a first verse about the little children, into a second in which "the old man's palsy withers to the bone".

DOWNLOAD THIS: 'Prince Minsky's Lament', 'Sho Is Cold', 'Fake Dance', 'Another Drunken Sailor Song'

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in