Album: Celso Fonseca & Ronaldo Bastos, Liebe Paradiso (Membran)
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference."Less is more" is generally a good aesthetic whatever the creative endeavour, as is never looking back.
But composer Bastos breaks both rules by revisiting his 1997 album Paradiso to add orchestration and electronic effects to basic guitar, vocals and percussion arrangements. Largely it works because the vocals of Fonseca and others remain the focus of attention, and the embellishments effectively turn a home movie into a widescreen epic.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments