Africa Express, gig review: 'Sparks are struck'

Oval Space, London

Nick Hasted
Tuesday 10 December 2013 10:45 EST
Comments
Pauli 'The PSM' Stanly-Mckenzie, powerhouse drummer and a veteran of Africa Express
Pauli 'The PSM' Stanly-Mckenzie, powerhouse drummer and a veteran of Africa Express (Nick Zinner)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Damon Albarn is many things musically these days, but a dilettante isn’t one.

His commitment to Africa Express, which brings African and Western musicians together on even terms, has been unwavering since 2007. This launch gig for the new compilation album Maison Des Jeunes sees Albarn, Brian Eno and Mercury-nominated rapper Ghostpoet among those fielding audience questions on it. But Mali, a sonically regal but politically benighted country, dominates the music.

Albarn plays the keyboard for Bijou, a black-gloved soul singer with a throaty vocal grain. Ghostpoet follows with “Season Change”, its sense of claustrophobic dissatisfaction dissipated by the itchy rhythms of Django Django drummer Dave Maclean and Songhoy Blues bassist Oumar Toure. Helped by Albarn’s atmospheric keyboard, when Ghostpoet gawkily dances and Bijou take the mic, sparks are struck.

Songhoy Blues, a Timbuktu desert blues band formed when its members fled from the puritanical, un-Malian insurgency in the north, finish things. Their excellent guitarist Garba Toure’s long, looping lines helps them hit trancey grooves, and slow, smoky blues that could have come from London via Chicago in 1964.

Their success on their UK debut is just another stop on the Africa Express.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in