The Twin Peaks theme mashed up with Britney Spears’ Everytime is incredibly haunting
I guess I need a damn good coffee, baby
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.There are some songs that sound so good collided it’s as though they were separated at birth. Nelly’s ‘Hot In Here’ and the Bee Gees’ ‘Stayin’ Alive’ is bizarrely one set of twins, and today we learn of another.
Britney’s ballad had the piano stripped out and replaced with that iconic, drippy bass from Angelo Badalamenti’s iconic Twin Peaks theme tune, and the result is actually a thing of great beauty.
Britney’s voice sounds isolated and oddly ghostly, especially when the TV theme’s synth line comes in.
‘Everytime' has proven a pretty malleable track, having previously been adapted to great effect in the movie Spring Breakers.
I hope this remix makes it to the ears of David Lynch, as it would be a beautiful way of referencing the gap between series in the long-awaited Twin Peaks season 3.
(H/T Noisey)
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments