Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Do you remember the last time? Pulp reform for summer shows

Rob Sharp,Arts Correspondent
Monday 08 November 2010 20:00 EST
Comments
(PA)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In a move likely to be greeted with the dusting off of drainpipe trousers nationwide, Pulp have announced they are the latest Britpop band to reform.

The group that brought the Nineties the acerbic class commentary of "Common People", along with a famous Michael Jackson hand-flapping episode, is set to headline the Wireless Festival in London's Hyde Park next July.

Pulp split in 2002 and the reunion follows Blur's hugely lauded appearance at Glastonbury in 2009; the Damon Albarn-fronted outfit also had two sell-out homecoming gigs in Hyde Park.

Pulp's London show, along with an appearance at Barcelona's Primavera Sound Festival in May, will feature all of the group's original members: Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey, Russell Senior and Mark Webber. They have not been seen on stage together since 1996.

"I was a big fan of Pulp because they were the outsiders of Britpop," said Wireless promoter Steve Homer. "There was always this clash between the art school boys Blur and the tough northerners Oasis, and Pulp were art school but from the north. They broke down those north-south divide barriers. You don't often get such intelligent, out-there artists. Jarvis was a spokesman for a generation."

The band, fronted by Cocker's eccentric, effete performing style, took some time to gain mainstream appeal. Their first album, It, was released in 1983 as a limited edition vinyl print. Freaks followed four years later and was also commercially unsuccessful.

Separations, released in 1992, featured experimental acid house tracks and it wasn't until two years later that His 'n' Hers achieved break-out success; the following year's Different Class made them poster boys, and girl, for a generation of pop lovers.

"I thought there were really three great Britpop bands – Oasis, Blur and Pulp. I think Pulp are one of the most incredible bands of the era," said Creation Records founder Alan McGee, who signed Oasis in the early Nineties.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in