Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Bon Iver's '8 (Circle)' music video will give you a million tattoo ideas

Tome of symbols were created by artist Eric Timothy Carlson

Christopher Hooton
Wednesday 05 October 2016 05:39 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

A fascination with numerology and subversion of language pervades Bon Iver’s new album/project, 22, A Million, particularly in his lyric videos, which are filled with cave wall etching-esque symbols and corrupted religious iconology.

His latest, for one of the album’s standout tracks, ‘8 (Circle)’, is essentially just a sequence of symbols and patterns that move on the beat, and I’d happily have a good 80% of them inked on my body.

Brooklyn-based artist Eric Timothy Carlson is the man behind the album packaging, murals, newspapers, lyric videos, and other materials surrounding the album, and spoke about it with Pitchfork this week.

Lyric videos are sometimes a bit of a cop-out or of poor quality, and Carlson was definitely aware of this heading in.

“The lyric videos initiative came from Justin [Vernon],” he said. “I’m not sure they ended up looking like what he was imagining, but that’s one of the things that has been so great about the project: the trust in the work of everyone involved.

“I was originally a little hesitant about the lyric video concept, largely due to the quality of lyric videos in general, and because I was dreaming of an entirely abstract/ambient visual component to live with the music online, without typography.

“But many lyric videos found online are made by fans—iMovie/After Effects motion graphics class projects. I feel that that amateur aesthetic has gone on to inform what official, professionally produced lyric videos look like.”

Carlson also discussed the moment he realised the magnitude of the work he was creating.

“Between the numerology, the metaphysical/humanist nature of the questions in 22, a Million, and the accumulation of physical material and symbolism around the music—it became apparent that the final artwork was to be something of a tome,” he explained. “A book of lore. Jung’s Red Book. A lost religion. The Rosetta Stone. Sagan’s Golden Record. Something to invest some serious time and mind in.”

22, A Million, is out now on all good streaming services. You can read our 5-star review of it here.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in