Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Beatles head for top of charts again - but should they let it be?

Emma Hartley
Sunday 12 November 2000 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Thirty years after the Beatles split, fans and critics alike are finding it hard to know whether to welcome the release today of a new album of their number one hits - which, after all, were the original definition of "fab" - or condemn it as a cynical marketing ploy.

Thirty years after the Beatles split, fans and critics alike are finding it hard to know whether to welcome the release today of a new album of their number one hits - which, after all, were the original definition of "fab" - or condemn it as a cynical marketing ploy.

The album is called 1 and is the latest in a long string of emissions from the Beatles industry, which is estimated to employ in the region of 2,000 people.

EMI has launched its biggest marketing campaign in the run-up to Christmas and has pressed one million copies of the album for Britain. Eight million are being shipped to shops around the world to cope with initial demand and the new set of old releases is virtually guaranteed to be No 1 for weeks. A budget of £1.5m has been allotted to promoting the album in the UK, but worldwide £16m will be spent on the release.

The surviving Beatles - John Lennon was shot dead by a deranged fan in 1980 - are so wealthy that they reputedly turned down £1bn to do a millennium concert this year.

But their physical absence from the stage appears only to fuel demand for the product, with a steady stream of after-the-fact Beatlemania CDs and the recent book Revolution in the Head by Ian MacDonald helping to solidify the myth into profits.

The suggestion is that the Britpop of the mid-Nineties and subsequent Cool Britannia media outings have revived a hunger for the original Union Jack chic, and that since the Beatles are the giants upon whose shoulders Oasis are standing (Liam Gallagher even called his son Lennon) there is little surprise in this kind ofnostalgia still having the power to grip.

There are 27 songs, all of which were No 1 hits in Britain, the US or both, including "I Want to Hold Your Hand", "Yesterday", "The Long and Winding Road" and "Get Back". Critics of all ages are still overwhelmingly loving about the music itself, with the tone of reviews so far being "evergreen", "forever young", "still remarkably cool".

However, the veteran Radio 1 DJ John Peel took the opportunity of the album's release to explain to The Independent: "I have never been a fan of naked capitalism."

To coincide with the release, the band's first official website goes online today (at www.thebeatles.com). The £2m site features archive material, games and a new video.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in