Story of the Song: Seven Nation Army - The White Stripes

Robert Webb
Thursday 24 June 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Salvation Army hasn't inspired too many hits – "Banner Man" by Blue Mink being perhaps the most obvious. The White Stripes' highest chart entry takes its title from how the infant Jack White heard the organisation's name.

Lyrically, "Seven Nation Army" has little to do with William Booth's evangelical movement. The song sits on a classic riff that was first heard in the sound check for a White Stripes gig at the Corner Hotel in Melbourne, Australia in 2001.

White stumbled upon the riff while warming up his hollowbody guitar. "I played the riff again and it sounded interesting," he said. White plugged in an octave pedal and wound his six-string down to a low twang. He had grand plans: "I thought if I ever got asked to write the next James Bond theme, that would be the riff for it." Instead, he devised a storyline in which a protagonist discovers that his friends are talking about him behind his back. "He feels so bad he has to leave town, but you get so lonely you come back," said White. "The song's about gossip. It's about me, Meg and the people we're dating."

It was recorded in April 2002 on analogue equipment at London's Toe Rag Studios. White sings: "I'm bleeding / Right before the Lord / All the words are gonna bleed from me / And I will sing no more". "I think it's the only time I used two of my voice; I doubled it," said White. The opening salvo on the 2003 album 'Elephant', it won a Grammy in 2004 for best rock song. Italian football fans adopted it for their 2006 World Cup win, to White's delight: "Nothing is more beautiful in music than when people embrace a melody and allow it to enter the pantheon of folk music."

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in