Sigur Ros's guitarist knocks the stuffing out of audiences

Elisa Bray
Thursday 20 May 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

His album covers are works of art, and he holds regular exhibitions of his drawings. So it's no surprise that, for his first solo live tour, Jonsi, the Sigur Ros guitarist and vocalist, has abandoned the standard rock gig format and turned the shows into a visual spectacular with intricate effects to match his cinematic music.

Considering Jonsi is a vegetarian, the choice of stage setting – a recreation of a famous, burnt-out taxidermist's shop in Paris – for the tour that promotes his new solo album, Go, is bizarre.

"I kind of hate taxidermy and the notion of hunting and stuffing creatures, but at the same time I love age and decay, so the whole thing's an interesting balance for me," says Jonsi, whose album was inspired by nature and features the recorded sounds of animals and birds.

"I was thinking a lot about animals during the making of this album, and quite a few animal noises ended up in the songs, usually buried somewhere deep in the mix; a swarm of bees here, a wolf there, a flute sounding like a flitting bird or something. That in a way was the inspiration for the feel of the record, even before the songs had any words. I wanted it to sound like it was teeming with crazy life. So when 59 Productions showed me a book about a burned-out taxidermist shop on Paris, the idea of having all these long-dead creatures reborn just seemed a natural way to go."

During the show, which blends elements of operatic and theatrical staging and film and art installations with the lighting and dynamics of a live gig, animals including wolves, deer, butterflies, owls and rats, all come to life on screens and take flight.

It might sound odd, but fans and critics who have already seen the show on tour in America have been won over. "With 90 minutes of genuine, theatrical production, replete with an interactive set and costumes, Jonsi made the fifth stop of his solo career at the Roseland Theater with a performance designed for an opera house," said the Oregon Music News. "Bringing some to tears, the intensity and sheer force of the final minutes triggered cool perspiration to chill stunned onlookers – one powerful gasp before letting go forever."

Jonsi plays London HMV Forum on 26 and 27 May (jonsi.com)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in